Chris Formant is a life-long student of classic rock and roll and a collector of rock memorabilia. He holds a seat on the Board of Trustees of the Rock and Role Hall of Fame in Cleveland. “Bright Midnight” is his first novel and it will be a crowd-pleaser for all the baby boomers who love classic rock and all those conspiracy theorists who believe in the “Myth of 27.”
For the uninitiated, the “Myth of 27” hypothesizes that there is simply too much coincidence around the fact that so many rock stars, and particularly during the height of rock and roll post-Woodstock, died of mysterious causes at the age of 27– too many for it to simply be coincidence. While Formant’s work is fiction, he has thoroughly researched each of the artists who died within a few years of each other in the late 1960s and early 1970s including Jimi Hendrix, Janis Joplin, Ron McKernan, Peter Ham, Jim Morrison, Brian Jones and Al Wilson. Formant uses modern forensic analysis techniques to combined with clues from research of memorabilia and historical records to pose plausible explanations as to why all these deaths were not just accidental deaths or suicides, and how they were related. Certain sinister aspects of the rock and roll record industry seem to have doomed some of the more rebellious and independent artists to short lives.
The protagonist is a classic rock editor for Rolling Stone, Gantry Elliot. He is an aging “has been” struggling to keep up with the the changes in rock music until he begins to receive anonymous tips about the rock stars of the 1960s and 1970s who all died at age 27. The tipster maintains that all of these artists were murdered and presents clues with each package to support the claim. By the time Gantry has received several of these packages he takes the evidence to the head of the FBI’s Behavioral Analysis Unit who, after expressing initial doubts, decides to take on the cold cases and involves associates in Scotland Yard and the French National Police to take the lead on solving the deaths that occurred within their jurisdictions. Gantry involves his boss, the editor of Rolling Stone and eventually gains his full support.
There are fascinating details about the music industry, and modern day forensics. It turns out that as good as technical forensics is now, old-fashioned interviewing of former associates of the dead and people who might shed light on the commonalities between all of the victims is what actually breaks the case. The closer Gantry gets to breaking some of these cases, the more dangerous the international crime thriller gets for Gantry and the people who open up to him and the FBI.
“Bright Midnight” is an inventive read sure to please those who are nostalgic for the Age of Aquarius and its rock legends and those who enjoy speculating on conspiracy theories such as the “Myth of 27.”
Reviewed from a supplied copy.